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ISSN [print version]: 2384-9576  - MIUR E211002

ISSN [electronic version]: 2035-7982 - MIUR  E199789 



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ISSN [electronic version]: 2035-7982

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The scientific and cultural project EDA has identified its aim in the thought of Werner Heisenberg, Nobel Prize for the Physics in 1932

... It is probably true quite generally that in the history of human thinking the most fruitful developments frequently take place at those points where two different lines of thought meet. These lines may have their roots in quite different parts of human culture, in different times or different cultural environments or different religious traditions: hence if they actually meet, that is, if they are at least so much related to each other that a real interaction can take place, then one may hope that new and interesting developments may follow.


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INTERNATIONAL CALL EdA vol 3, n.2, 2016



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INTERNATIONAL CALL vol 4, n.1, 2017




EdA | Esempi di Architettura   ISSN [print version]: 2384-9576  - MIUR E211002

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Ultimi Articoli

In the landscape it is possible to recognize certainly the shape of the local singularities. It is possible to gain again, conserve or lose the local meaning of the places if we are able or not to understand (composing/designing) the need of introduce new and different elements in the context. On the Costa Ionica - the project area of the 6th Lid´A Laboratory - as elsewhere, the tumultuous urbanization and the construction action already overcame the limit that linked this heimat (native place) and the genius loci. Here the many “eco-monsters” are buildings that are witness of this violence. A demolition project can represent here not the tabula rasa but the architectural art of forgetting. Through demolition it is possible to mark a new beginning, a way of doing architecture after the perception of the loss of the local character: the trauma of demolition, able to take back to a measure, opens again the place to the confident and positive reception of Architecture. Demolition becomes a rite of re-foundation, of a new possession of the site: the demolition makes again the place, in the sense that it is necessary condition for the construction of a “new place”. Demolition opens again to the meaning of a void and re-builds the condition of an architectural potential in the site. Within an incessant dialectic between memory and oblivion, programmed destructions for the construction of a new landscape produce a new landscape, producing mutually demolition and construction and, in this sense, a Project concerns both: only in this way it will be possible to introduce a architectural technique of landscape.

Inserito il 12/09/2016 09:08 - Leggi tutto »

Il complesso dello Spirito Santo a Napoli
The essay examines the building of the Faculty of Architecture in Naples, a work by the Neapolitan architect Marcello Canino, dean of the faculty in between the '40s and '50s of the twentieth century. The project is the result of a revamping work of a sixteenth-century religious complex, remodelled in the Baroque period. The Conservatory in the twentieth century housed accommodation and conditions of the building felt the weight of centuries. It was therefore decided to intervene demolishing much of what was left of the old complex and the new project was entrusted to Marcello Canino. The analysis is performed on historical and compositional plan, in the form of direct comparison between the previous religious building and the new building, by searching for analogies and references.

Inserito il 02/09/2016 10:19 - Leggi tutto »

Bogotá D.C y Santiago de Tunja. Problemáticas centros históricos
Through the development of the semester, we find a problem to focus and solve it. This investigation had as main topic the historical center, studied since a point of view where the heritage was the most important idea.
As well, this investigation is made by three parts. The first one is the historic context that the Candelaria neighborhood had had in the Bogota's center. I made a big focus in the apple that is between the streets 10th and 11th and the avenues 4th and 5th; nowadays there is La manzana cultural Del Banco de la República. The second part is about the development of a hypothesis related with the cultural apple, itīs going to be work since the question How the Manzana Cultural del Banco de la República can show the Bogota´s architecture identity and tradition? This part was about the seven ages of Colombia's architecture and creates a link between the main elements that can be particular of Bogotá D.C and the Manzana Cultural. The last part of the investigation concludes with a critical comparison about the Bogotá's Historic center in a contradistinction with the Santiago Tunja's Historical Center.

Keywords: protection, conservation, identity, university, cultural heritage values

Inserito il 15/08/2016 16:21 - Leggi tutto »

La sperimentazione del calcestruzzo armato monolitico in Inghilterra
This essay considers a new building technology: the monolithic reinforced concrete, invented by Ove Arup and used by different architects, applied to houses and residential buildings realized in England in the Thirties. The aim of this new system was to organize the project and the structure in the same period, with a plan completely free, and it will be analyzed also in comparison with uses of a traditional system of reinforced concrete by the same architects.

Keywords: Reinforced concrete; Houses; England

Inserito il 24/07/2016 11:39 - Leggi tutto »

El patrimonio cultural y su protagonismo en las universidades cubanas
The present work provides an approach to the protection and preservation of cultural heritage, as well as the indissoluble bond the university has with the memory of its community.
The main objective pursued is to demonstrate the impact that the knowledge of the cultural heritage has in the training of students as well as their relationship to the preservation of the identity of the university community and its own.
It presents the most relevant results that have been achieved since the publication of several elements (system of teaching aids, brochures, billboards, calendars, files, etc.) as part of all media created to integrate a system that exposes all the registered and unregistered work the Cujae owns, serving as mean to create awareness, in the collective memory, of the need for conservation of tangible and intangible heritage that the university treasures.

Inserito il 21/06/2016 11:31 - Leggi tutto »

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