{"id":6853,"date":"2024-12-12T20:31:06","date_gmt":"2024-12-12T20:31:06","guid":{"rendered":"http:\/\/esempidiarchitettura.it\/sito\/?page_id=6853"},"modified":"2025-10-23T20:28:57","modified_gmt":"2025-10-23T20:28:57","slug":"eda-2025","status":"publish","type":"page","link":"http:\/\/esempidiarchitettura.it\/sito\/eda-2025\/","title":{"rendered":"EDA 2025"},"content":{"rendered":"\n<p><\/p>\n\n\n<h5 style=\"text-align: center;\">\u00a0<\/h5>\n<div>\n<div id=\"container\">\n<div id=\"mainContent\">\n<table class=\"oneColElsCtr\" style=\"height: 485px;\" border=\"0\" width=\"523\" cellspacing=\"1\" cellpadding=\"1\" align=\"left\">\n<tbody>\n<tr>\n<td width=\"0%\">\n<h3><strong><span style=\"color: #000080;\">EdA Issue 2025 |\u00a0 Vol. 1 -2<\/span><\/strong><\/h3>\n<\/td>\n<td width=\"10%\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/2025.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td width=\"6%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\"> <span style=\"color: #000080;\">The White Paper. A teaching for architecture\u00a0 |\u00a0 <span style=\"color: #000000;\">Fabio Ghersi<\/span><\/span><\/span><\/td>\n<td><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/1. EdA_2025_1_Ghersi.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">A Transatlantic Epistolary Question: Shared Modernity between Europe and Latin America\u00a0 |\u00a0 <span style=\"color: #000000;\">Federica Ciarci\u00e0<\/span><\/span><\/td>\n<td><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/2. EDA_2025_1_CIARCIA.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">The Theatre of Modernity. The condition of architecture at the end of the second millennium\u00a0 |\u00a0 <\/span>Fabio Ghersi<\/td>\n<td><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/3. EdA_2025_1_Ghersi.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">Progetto di architettura come configurazione del paesaggio contemporaneo tra identit\u00e0 culturale e innovazione | S<\/span>alvatore Rugino, Olivia Longo, Davide Sigurt\u00e0<\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/4. EDA _2025_1_RUGINO &amp; OTH.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">The language of stone as material, phenomenon, and value for a new perception of architectural space | S<\/span>alvatore Rugino<\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/5. EDA_2025_1_RUGINO.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">Narrating Palermo through its coexistences: urban practices in the Kalsa district | <span style=\"color: #000000;\">Bruna Angelico<\/span><\/span><\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/6. EdA_2025_1_Angelico.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">The fold as a generative principle in contemporary architecture: from Moretti&#8217;s residential designs to Herzog &amp; de Meuron&#8217;s Feltrinelli foundation |\u00a0 <span style=\"color: #000000;\">Salvatore Rugino<\/span><\/span><\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/7. EDA_2025_2_RUGINO.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">The &#8220;Fifth Bari&#8221; or: a morphological approach to urban design\u00a0 | <\/span><span style=\"color: #000000;\">Nicola Delledonne<\/span><\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/8. EDA_2025_2_DELLEDONNE.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">In the brushstroles of an artist: the Divine Child Jesus and the Shirne of July 20. A painting that went unrecognized\u00a0 | <\/span><span style=\"color: #000000;\">Rub\u00e9n Hernandez Molina<\/span><\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/9. EDA_2025_2_HERNANDEZ.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">Arquitectura religiosa contempor\u00e1nea en Filipinas | <\/span>Fernando L\u00f3pez-Arias<\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/10. EdA_2025_2_Lopez Arias.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\"><span style=\"color: #000080;\">Confraternities in Italy: between faith, history and modernity | <\/span><\/span>+ Michele Pennisi<\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/11. EDA_2025_2_PENNISI.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<p dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;\"><span style=\"color: #000080;\">Rllcij:\u00a0 the ancient clock of Grassano | <\/span>Matteo Mattia<\/p>\n<\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/12. EDA_2025_2_MATTIA.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">Beyond Authenticity: on the idea of Architectural Recovery in Archaeological Sites | <\/span>Nicola Delledonne<\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/13. EdA_2025_2_Delledonne.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">Project and process for the recovery of disused naval areas | <\/span>Calogero Marzullo<\/td>\n<td align=\"left\" valign=\"bottom\"><a href=\"http:\/\/www.esempidiarchitettura.it\/sito\/journal_pdf\/PDF 2025\/14. EdA_2025_2_Marzullo.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-865 size-full\" src=\"http:\/\/esempidiarchitettura.it\/sito\/wp-content\/uploads\/2019\/01\/pdf-logo-e1499499612240.png\" alt=\"PDF\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<div id=\"container\">\n<div id=\"mainContent\">\n<table class=\"oneColElsCtr\" style=\"height: 485px;\" border=\"0\" width=\"523\" cellspacing=\"1\" cellpadding=\"1\" align=\"left\">\n<tbody>\n<tr>\n<td width=\"0%\">\u00a0<\/td>\n<td width=\"10%\">\u00a0<\/td>\n<td width=\"6%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">\u00a0<\/span><\/td>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<p dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;\">\u00a0<\/p>\n<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<p dir=\"ltr\" style=\"line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: justify;\"><span style=\"color: #000080;\">\u00a0<\/span><\/p>\n<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">\u00a0<\/span><\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><span style=\"color: #000080;\">\u00a0<\/span><\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td align=\"left\" valign=\"bottom\">\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>\u00a0 EdA Issue 2025 |\u00a0 Vol. 1 -2 \u00a0 The White Paper. A teaching for architecture\u00a0 |\u00a0 Fabio Ghersi \u00a0 A Transatlantic Epistolary Question: Shared Modernity between Europe and Latin America\u00a0 |\u00a0 Federica Ciarci\u00e0 \u00a0 The Theatre of Modernity. The condition of architecture at the end of the second millennium\u00a0 |\u00a0 Fabio Ghersi \u00a0 Progetto di architettura come configurazione del paesaggio contemporaneo tra identit\u00e0 culturale e innovazione | Salvatore Rugino, Olivia Longo, Davide Sigurt\u00e0 \u00a0 The language of stone as material, phenomenon, and value for a new perception of architectural space | Salvatore Rugino \u00a0 Narrating Palermo through its coexistences: urban practices in the Kalsa<a class=\"more-link\" href=\"http:\/\/esempidiarchitettura.it\/sito\/eda-2025\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["entry","author-admin","post-6853","page","type-page","status-publish"],"_links":{"self":[{"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/pages\/6853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/comments?post=6853"}],"version-history":[{"count":30,"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/pages\/6853\/revisions"}],"predecessor-version":[{"id":7158,"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/pages\/6853\/revisions\/7158"}],"wp:attachment":[{"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/media?parent=6853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}