{"id":3615,"date":"2020-12-10T19:51:21","date_gmt":"2020-12-10T19:51:21","guid":{"rendered":"http:\/\/esempidiarchitettura.it\/sito\/?page_id=3615"},"modified":"2021-12-13T11:10:05","modified_gmt":"2021-12-13T11:10:05","slug":"eda-2021","status":"publish","type":"page","link":"http:\/\/esempidiarchitettura.it\/sito\/eda-2021\/","title":{"rendered":"EDA 2021"},"content":{"rendered":"
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EdA Issue 2021\u00a0 |\u00a0 Vol. 1\u00a0<\/span><\/strong><\/td>\n\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
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Psychoanalysis, religion and architecture. Fray Gabriel Ch\u00e1vez de la Mora and the monastery of Santa Mar\u00eda de la Resurrecci\u00f3n<\/span>
\nEsteban Fern\u00e1ndez-Cobi\u00e1n<\/p>\n<\/td>\n

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Aesthetic distinction, towards a new paradigm of the image in the contemporary architectural scene<\/span>
\nGiovanni Castellanos G.<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Culture and the space\u2019s organization<\/span>
\nNicola Sisti<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
The shape of the mound<\/span>
\nMatteo Pennisi, Luigi Pellegrino<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
The exhibition space. The Themes and the Exhibition Montages of the Chilean Architecture Biennial<\/span>
\nCristi\u00e1n Felipe Bustamante-Prieto, Angelique Trachana<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Argentina between the 19th and 20th centuries: the path to modernity in architecture<\/span>
\nFederica Ciarci\u00e0<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Roberto Cerda Wiggens (1930-2000) disciple of the Modern Movement and his work in Colima, Mexico<\/span>
\nLuis Alberto Mendoza P\u00e9rez<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
For an aesthetic of color in historical centers. The example of Bologna<\/span>
\nSara Armaroli, Giuseppe Maino<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
The former \u201cStefan Gheorghiu\u201d Academy in Bucharest.<\/span>
\nA Composition of Figures and Masses<\/span>
\nOreste Lubrano<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Architectural instructions between the Sixteenth and Seventeenth centuries: from Carlo Borromeo to Vincenzo Maria Orsini<\/span>
\nFrancesco Del Sole<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
The Glass envelope and Transparency in Contemporary <\/span>Architectural Design<\/span>
\nChristophe Nkuina<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
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EdA Issue 2021\u00a0 |\u00a0 Vol. 2<\/span><\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Havana\u2019s waterfront. Vulnerability, challenges, and proposals.<\/span>
\nAda Esther Portero Ricol, Mirelle Cristobal Fari\u00f1as, Ricardo Machado Jardo<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Diplomacy in the Age of the Internet: Challenges for the World Heritage Convention<\/span>
\nEric Yong Joong Lee, Olimpia Niglio, Ramya Ramachanderan<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Between archeology and urban design: the rewriting of the t\u00f3pos in the Classical Agora of Athens<\/span>
\nAntonio Nitti<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
TOKYO CHARTER. Reconnecting with your culture. Education, Culture, Heritage, and Children<\/span>
\nD. Paul Schafer, Olimpia Niglio<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
The sustainable countryside: learning from the building tradition of the Hyblean landscape to build the future<\/span>
\nGianfranco Gianfriddo, Luigi Pellegrino, Matteo Pennisi<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Cataloging and Mapping Enrique de la Mora’s work at CDMX\u00a0<\/span>
\nAnna M\u00e1rquez Mansurova<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Paolo Soleri. Ecological utopia of urban laboratory <\/span>
\nIsabella Daidone<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
On the falsity of certainty and the necessity of error. Superficial false, deep false, indefinability of the truth: some small exercises for a new approach to the study of drawing and relief<\/span>
\nValentina Baroncini<\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Social Development and Production Processes and Innovation in Rural Itineraries: Tequila in The Natural Landscape.
\nAndrea M\u00f3nica Fellner Grassmann, Fabiola Colmenero Fonseca<\/span><\/span><\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Museum websites: lost identities. Notes for a “history” of the museum web project in the former 2000s.
\nFrancesco Monterosso<\/span><\/span><\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
Abatellis: A point on Scarpa\u2019s installation 1953-54
\nSanto Giunta<\/span><\/span><\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
The Modern Subject in Tadao Ando\u2019s thought
\nLuis \u00c1ngel Morales De Vega<\/span>
\n<\/span><\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
IMAGO Museum in Pescara. Where the past becomes the space of contemporaneity
\nPaola Ardizzola<\/span><\/span><\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
The Metallic Furniture of Japanese Design. Cultural meeting between East and West
\nOmbretta Iardino<\/span><\/span><\/td>\n		\"PDF\"<\/a><\/td>\n<\/td>\n<\/tr>\n
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EdA Issue 2021\u00a0 |\u00a0 Vol. 1\u00a0 Psychoanalysis, religion and architecture. Fray Gabriel Ch\u00e1vez de la Mora and the monastery of Santa Mar\u00eda de la Resurrecci\u00f3n Esteban Fern\u00e1ndez-Cobi\u00e1n Aesthetic distinction, towards a new paradigm of the image in the contemporary architectural scene Giovanni Castellanos G. Culture and the space\u2019s organization Nicola Sisti The shape of the mound Matteo Pennisi, Luigi Pellegrino The exhibition space. The Themes and the Exhibition Montages of the Chilean Architecture Biennial Cristi\u00e1n Felipe Bustamante-Prieto, Angelique Trachana Argentina between the 19th and 20th centuries: the path to modernity in architecture Federica Ciarci\u00e0 Roberto Cerda Wiggens (1930-2000) disciple of the Modern Movement and hisRead More →<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["entry","author-admin","post-3615","page","type-page","status-publish"],"_links":{"self":[{"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/pages\/3615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/comments?post=3615"}],"version-history":[{"count":41,"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/pages\/3615\/revisions"}],"predecessor-version":[{"id":5427,"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/pages\/3615\/revisions\/5427"}],"wp:attachment":[{"href":"http:\/\/esempidiarchitettura.it\/sito\/wp-json\/wp\/v2\/media?parent=3615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}